Screen Queensland’s Development Fund assists Queensland-based practitioners and interstate producers working with Queensland-based key creatives with up to $50,000 to turn their fresh, exciting and marketable ideas into a project ready for the screen.
The guidelines for this fund are effective as of Monday 1 July 2024. Please ensure you have read through the below guidelines carefully, prior to applying.
This is a rolling fund, apply anytime.
HOLIDAY CLOSURE
Due to the upcoming holidays, please note that applications for the Fund will be closing on Sunday, 1 December 2024 at 5pm AEST. Applications will re-open for submissions on Monday 13 January 2025 at 9am AEST. Preview of applications is available through SmartyGrants during this period.
QUEENSLAND APPLICANTS
INTERSTATE APPLICANTS
GUIDELINES
HOW MUCH CAN I APPLY FOR?
Under the new guidelines, all development funding will be offered as grant funding; Screen Queensland will cease to take a copyright interest in Development funds where contracting is finalised after 1 July 2024. No retrospective conversion of investment to grant is possible for existing Development Investment Agreements.
Development funding is offered in three tiers, depending on the applicant’s stage of development, evidence of marketplace interest and residency status (Queensland or interstate).
TIER 1: UP TO $15,000 (Queensland residents and interstate)
- Funding directed toward Queensland spend only
- Conceptual-stage applications will be accepted from established practitioners only (minimum half-hour professional screen credit) – capped at $7,500
- Queensland-resident applicants and producers, including sole practitioners are encouraged to apply
- Interstate producers with a strong track record of professional screen credits may apply for funding that supports Queensland-resident key creatives
- Minimum creative materials:
- Scripted
- treatment (draft scripts preferable)
- Unscripted
- demonstrable evidence of access arrangements, along with minimum one-page pitch document – treatment preferable
- Scripted
- Minimum Creative Materials for Conceptual-stage applications:
- one-page pitch
TIER 2: $15,001 – $30,000 (Queensland residents and interstate)
- Funding toward Queensland spend only
- Queensland applicants:
- must be a rights-holding Queensland-resident producer retaining minimum 50% I.P./copyright in the project and
- must have a Queensland-resident writer or director attached (with attachment confirmed in writing)
- no Letter of Interest/Intent (LOI) from marketplace required but applications that demonstrate marketplace interest will generally be more competitive
- Interstate applicants:
- must be a rights-holding producer
- must have minimum 50% writers/directors (attachment confirmed in writing) as Queenslanders
- must demonstrate clear intent to bring production to Queensland AND/OR, story is set in Queensland and intent is to shoot Queensland as Queensland
- Letter of Intent required
- Minimum creative materials required:
- Scripted
- draft script(s) or equivalent well-developed, competitive creative materials
- Unscripted
- advanced Treatment and evidence of access arrangements
- Scripted
TIER 3: SLATE FUNDING $25,000 –$50,000 (Queensland-resident producers)
- Slate funding capped at $50,000 for entire slate
- Slate funding is available for established Queensland-resident producers with a track record of successful commissions and productions and may be applied to a slate of minimum 3 projects
- Applicant may only apply for slate funding once per financial year
- If successful, slate development deliverables will need to be fully acquitted before Screen Queensland will accept other applications for Development funding. Exceptions to this will be considered on a case-by-case basis, and may require evidence of substantial progress of slate deliverables
- Slate funding deliverables must be acquitted within 6 months
- Marketplace LOIs desirable but not required
- Minimum creative materials may be a combination of early-stage creative materials (e.g. treatments, one-pagers, early draft scripts), depending on ask and stage of development
- Please contact Screen Queensland before applying for slate funding.
GENERAL NOTES:
- Under the new guidelines, all development funding will be offered as grant funding; Screen Queensland will cease to take a copyright interest in Development funds where contracting is finalised after 1 July 2024. No retrospective conversion of investment to grant is possible for existing Development Investment Agreements
- Letters of Interest/Intent from marketplace will be assessed in context of the project’s stage of development. Track record of LOI-provider will be assessed
- Applications will not be accepted where minimum creative materials are not provided
- Funds requested must be appropriate for current stage of development and associated deliverables. Please note that applicants may not receive the full funding requested and funding is awarded at Screen Queensland’s sole discretion.
- Cap of $100,000 of development funding in any form, per financial year per applicant/company/associated company
- Cap of $100,000 total development funding for any one project over its lifetime
- All applications will be assessed according to development budget needs.
WHO IS ELIGIBLE?
Projects that meet eligibility requirements are not guaranteed funding and will undergo a rigorous assessment process against Screen Queensland’s strategic priorities and program guidelines.
All requests for funding, regardless of eligibility, are subject to limited program budgets within a highly competitive funding environment.
The Development Fund supports projects with a clearly defined plan to meaningfully progress to the next critical stage on their journey to screen.
The Development Fund is open to anyone who:
- lives and works in Queensland (and has been a resident of the state for at least six months immediately preceding the application; proof of residency may be required) OR
- for Interstate applicants, must be an Australian resident working with minimum 50% writers or directors who live and work in Queensland
- can ensure requested funding is directed towards Queensland elements*
- can provide the required detail/documents for the program they are applying for
- owns the rights to the story they are telling.
*For slate funding only, Screen Queensland may at its absolute discretion support funding budgeted as out-of-state spend, where the applicant can demonstrate clear benefit to the growth of their Queensland-based production business through this spend.
Applicants or key creatives who identify as Queensland residents must have been a resident of the state for at least six months immediately preceding the application (proof of residency may be required).
It is important that your team of key creatives authentically represent the story and characters in your application. If your story includes content or characters from a diverse background, (e.g. female, Aboriginal and Torres Strait Islander people, culturally and linguistically diverse people, people with a disability, or LGBTQIA+ people) then appropriate representation of that diversity must be ensured throughout the production.
More eligibility criteria is also detailed in the Terms of Trade.
For all First Nations stories, or stories containing First Nations elements, please see the below additional criteria.
FIRST NATIONS STORIES/ELEMENTS
If your story is a First Nations story or contains First Nations elements, it is a requirement to develop a Cultural Engagement and Safety Plan. Additional funding may be made available to successful applicants in order to assist with the development of this Plan and meet all necessary Indigenous Cultural and Intellectual Property (ICIP) requirements, as outlined below.
Applicant | Requirements | Additional Funding | |
First Nations story* | First Nations | – If you are sharing the story of your own community, you only need to provide a Cultural Engagement and Safety Plan. However, if you are telling the story of another community, you must either engage a Cultural Consultant from that community or demonstrate that you have the cultural knowledge and rights to tell the story. – If you are an emerging First Nations applicant, two out of three key creatives must be First Nations | Up to $10k; up to 50% of Cultural Engagement costs |
Non-Indigenous and co-productions | – Two out of three key creatives must be First Nations – Where the producer is not First Nations, a Cultural Consultant must be engaged – Minimum 2 x First Nations attachments required | ||
First Nations elements** | First Nations | – If you are sharing the story of your own community, you only need to provide a Cultural Engagement and Safety Plan. However, if you are telling the story of another community, you must either engage a Cultural Consultant from that community or demonstrate that you have the cultural knowledge and rights to tell the story. | Up to $5k; up to 50% of Cultural Engagement costs |
Non-Indigenous and co-productions | – A Cultural Consultant must be engaged – 1 x above-the-line attachment opportunity required – 1 x below-the-line attachment opportunity required |
IMPORTANT NOTE: The additional funding noted above will be made available for the sole express purpose of ensuring your Cultural Engagement and Safety Plan has been developed in consultation with First Nations peoples and/or communities. If any of the above applies to your application, you must provide evidence of your Cultural Engagement and Safety Plan. These documents must meet a level of standard that satisfies Screen Queensland. Any relevant Cultural Consultant agreements must be noted at application, with full agreements executed as condition of first drawdown, and confirmation of payments as per agreements as condition of final drawdown, for this additional funding. When the applicant has not satisfied these requirements, you will be liable to return funds provided.
* A “First Nations story” refers to a narrative that originates from the oral traditions of Indigenous peoples, often focusing on their history, culture, spirituality, and worldview.
** On the other hand, a story that contains “First Nations elements” may incorporate aspects of First Nations cultures, such as characters, settings, themes, or storytelling techniques, but may not necessarily originate from or be deeply rooted in Indigenous traditions.
# Co-productions are defined as productions wherein both Indigenous and Non-Indigenous producers have a share in the copyright.
HOW CAN I APPLY?
Applicant will be required to provide the following in addition to tier-specific documentation:
Your proposal will need the following.:
- Logline – your idea in a sentence
- Short pitch – your idea in one page
- Creative materials relevant to your current stage
- Project Plan (one document, min 2 pages) including:
- Development plan – what is your overall strategy for developing this project?
- Audience plan – who is your audience and how will you reach them?
- Development budget – how will this funding request be used to meaningfully advance the project on its pathway to screen?
- Team – the CVs or bios of the people who have agreed to be part of your project
Legalities – things you must have:
- rights to the story – clear chain of title
- option agreement and/or the approval of Aboriginal and Torres Strait Islander owners of the story (if applicable)
- writers/key creative agreement
Things to note:
- applicants may have more than two active submissions at any one time, with multiple applications being to the discretion of Screen Queensland
- projects must be delivered within three months after funding
Please note: If you need to update your documentation to pass eligibility, you will be given 2 business days to do so. If you cannot update your application in this time, you will automatically be withdrawn. This is so we can turn around projects quickly, within our assessment process. Projects unsuccessful twice in a funding program are no longer eligible for further applications to that program.
Applications will not be accepted where minimum creative materials are not provided.
HOW WILL MY APPLICATION BE ASSESSED?
Applicants must demonstrate why Screen Queensland’s funding is essential to this stage of development and how the funding will be directed to significantly advance the project.
Your proposal will be assessed against the following criteria:
- Is the creative material developed to an appropriate stage for the level of funding requested, and is the story likely to engage with its intended audience?
- Does the applicant have a clear idea of who their audience is and how to reach them?
- Is the development budget appropriate for the proposed deliverables?
- How will the proposed support assist the project on its journey to screen?
- Does the team have a good track record for delivering what it says it will and the skills to make this happen?
- How will this funding impact the careers of Queensland talent and the state screen sector more broadly?
Letters of Interest/Intent from marketplace will be assessed in context of the project’s stage of development. Track record of LOI-provider will be assessed.
We seek to support the creation and growth of Aboriginal and Torres Strait Islander screen practitioners, content and representation across our industry and state. Additionally, we are committed to ensuring diverse representation across all aspects of the production and development process. As such, diversity in areas of gender, age, culture, ethnicity, language, ability, sexuality, location (such as regional and remote areas) and socio-economic status are encouraged in projects we support.
Please note: If you need to update your documentation to pass eligibility, you will be given 2 business days to do so. If you cannot update your application in this time, you will automatically be withdrawn. This is so we can turn around projects quickly, within our assessment process. Projects unsuccessful twice in a funding program are no longer eligible for further applications to that program.
APPLICATION TERMS AND CONDITIONS
Submission of an application constitutes acceptance of these Guidelines and the application terms and conditions.
Your information will be used in accordance with Screen Queensland’s Privacy Policy which you hereby agree to by submitting this application.
Applicants must notify Screen Queensland in writing if they have an actual, perceived or potential conflict of interest in applying for the Funding and, if so, the manner in which they propose to deal with the conflict.
The applicant retains all intellectual property rights in its submission. The applicant grants an irrevocable, non-exclusive, royalty and fee free licence to the Screen Queensland to use, adapt and modify its intellectual property rights in its submission for the purposes of Screen Queensland analysing and evaluating the applicant’s submission.
Screen Queensland’s liability in relation to the application process is limited to $1.
Screen Queensland reserves the right to change any element of the Funding, these Guidelines or the application process at any time and in its absolute discretion.
IMPORTANT DOCUMENTS TO READ BEFORE YOU APPLY
You must read our Terms of Trade, QPE definition and our corporate and strategic plans before preparing your application.
PREVIOUSLY SUPPORTED PROJECTS
2022–2023
- Bear the Dog, scripted feature (Hoodlum Entertainment)
- Bulletproof, scripted series (Lone Star Company)
- Creeper, scripted feature (Wanderer Films)
- Critical Minerals, scripted series (Hoodlum Entertainment)
- Dream Big, factual series (Wirrim Media)
- Expats, scripted series (Pegasus Television)
- Florence Broadhurst, scripted series (Hoodlum Entertainment)
- Fortune, scripted series (Hoodlum Entertainment)
- Hannah, factual series (Orange Entertainment Co.)
- Helpmann, scripted series (ArtsCargo)
- Jam & Cream, scripted series (Morning Tea Productions)
- The January Club, scripted feature (Capricorn Pictures)
- Kickflip, scripted series (Jaggi Entertainment)
- Koa Kid, scripted feature (Oombarra Productions)
- Lost History Office, factual series (Glass Engine)
- Masters of the Night Sky, feature documentary (StarsSapphire Productions)
- Mola Mola, feature documentary (Mola Pictures)
- The Mother Fault, scripted feature (Josephine Mackerras)
- Mr Poetry, feature documentary (Lionel Fogarty)
- Motorhome, scripted feature (Christopher Amos)
- Muster Dogs Season 2, factual series (Ambience Entertainment)
- Off Grid, scripted series (Jenny Wynter)
- OKA… of the Land, scripted series (Wirral Media)
- O.S.C.A., scripted feature (Paul Clarke)
- Pawlowska Pawlowski, scripted feature (Barking Cat Productions)
- Posthumous, scripted feature (Imposter Syndrome)
- Professor Eggtop Adventures with Gerald, scripted series (Matthew Meersbergen)
- Ray of Sunshine, scripted feature (Tilt Media)
- Redemption: John Hinckley Jr, feature documentary (Glass Engine)
- Reef Rangers, factual series (Cato Media)
- Rohingya United, feature documentary (Bookboys Productions)
- Seventy-Seven, scripted series (Moving Floor)
- Showfolk, factual series (WildBear Entertainment)
- The Sundowner, scripted series (Grace Uther)
- Unannounced scripted series (Goalpost Pictures)
- Unannounced scripted series (Warner Bros. International Television Production Australia and Ludo Studios)
- The Underdog, feature documentary (Bianca Keely)
- The Vegetable Plot, scripted series (Veg Plot Productions)
- Who the Hell is Hamish, scripted series (Hoodlum Entertainment)
CONTACT US
Screen Queensland Content team
07 3248 0500
content@screenqld.com.au