The Screen Queensland Attachment program facilitates paid, project-based attachments that provide essential on-the-job experience on Screen Queensland-supported films and series.
Queensland is proudly home to a diverse base of highly skilled screen creatives and crew. To sustain and build the next generation of talent for our local screen industry, Screen Queensland supports emerging screen practitioners to develop their practical skills, careers and professional networks through our Attachment program. The program is focused on areas of industry skills demand and helps to build and maintain a skilled, professional Queensland screen industry workforce.
ABOUT THE PROGRAM
Through Screen Queensland’s Production Attraction Strategy and Screen Finance Fund, early career screen practitioners are supported to undertake a paid placement to gain valuable hands-on experience alongside experienced practitioners on eligible productions for approximately 5 to 12 weeks.
Prospective attachments can apply to the Screen Queensland Attachment Talent Pool with applications carefully reviewed and considered for upcoming attachment opportunities. Short-listed applicants will be contacted directly by Screen Queensland.
The Attachment Talent Pool is open for applications year-round, with opportunities dependent on the number of eligible productions filming in the state at any one time.
Applicants will be contacted by Screen Queensland at the end of each 12-month period to update their application, ensuring we have the most current information and resume for the applicant on file.
APPLY NOW
Submit your application below to join our Attachment Talent Pool.
APPLICATION GUIDELINES
WHAT ARE WE LOOKING FOR?
Applicants who:
- are committed to a career in the screen industry
- seek an opportunity to build on their existing credits, skills and knowledge
- wish to be included in Screen Queensland’s Talent Pool.
WHO IS ELIGIBLE?
Applications to this program are for inclusion in Screen Queensland’s Talent Pool.
Applicants must:
- be a Queensland resident (view our Terms of Trade for eligibility requirements)
- have satisfied one or more of these requirements:
- have graduated from a relevant tertiary, TAFE or Vocational Education course
- have production credits on at least 30 minutes of screen content, or
- have transferable skills/significant related experience in other parallel industries that qualify the applicant for the specific role (such as electrician, carpenter, hair and makeup).
You are not eligible to apply if:
- you are enrolled full-time in a film, television or interactive digital media course at a film school or other tertiary educational institution (applications from part-time students will be assessed on a case-by-case basis)
- you have already been an attachment in the past 12 months.
WHAT HAPPENS AFTER YOU APPLY?
After you submit your application, it will be assessed by Screen Queensland’s Attachment Coordinator with eligible applications added into the Attachment Talent Pool.
Acceptance into the Talent Pool is highly competitive, and doesn’t guarantee selection for a production attachment position.
For each production attachment opportunity, Screen Queensland will provide the production company with a shortlist of suitable practitioners from the Screen Queensland Talent Pool, based on:
- the skills required by the production and how these match the practitioner’s experience and skills,
- how the skills expected to be gained from the placement align with the practitioner’s career objectives,
- Screen Queensland’s overall objectives of diversity and inclusion,
- whether the practitioner has already been an attachment and has undertaken a similar placement and
- the practitioner’s credits.
Production companies may wish to interview shortlisted practitioners prior to selecting a practitioner and offering an attachment position.
While Screen Queensland will complete an initial assessment of the application and submit applications for consideration, final selection decisions are made by the relevant production.
WHAT HAPPENS IF YOU ARE SELECTED FOR AN ATTACHMENT?
Attachments typically run for a minimum of 5 weeks, across pre-production, production and/or post-production, depending on the duration and structure of the attachment.
Practitioners will be attached to a supervisor in a particular role and will spend time observing and assisting the relevant department.
Practitioners are employed by the production company for the attachment and are compensated at a minimum of Level 1 MEAA rates.
The terms and conditions of engaging an attachment, including deliverables and any credit requirements are detailed in the relevant Screen Finance or Incentive funding agreement between Screen Queensland and the host company.
PREVIOUS ATTACHMENTS
2024
- Cody Guy – VFX Attachment (unannounced project)
- Max Ashman – Camera Attachment (unannounced project)
- Eleanor Gough – Sound Attachment (unannounced project)
- Annastasia Humphreys – Costume Attachment (Balls Up)
- Bailey Hewett – Sound Attachment (Balls Up)
- Sarah Larkey – Locations Attachment (Balls Up)
- Emma McIntyre – AD Attachment (unannounced project)
- David Cook – Director Attachment (Darby and Joan S2)
- Ellouise Ashford – AD Attachment (Darby and Joan S2)
- Katrina Channell – Director and Writer Attachments (Darby and Joan S2)
- Conor Goodchild – Animation Attachment (unannounced project)
- Barbara Pinn – Costume Supervisor Attachment (The Bluff)
- David Sheerle – Leila Sahihi (The Bluff)
- Leila Sahihi – Editor Assistant Attachment (The Bluff)
- Madison Sweetnam – Art Attachment (The Bluff)
- Tyra Glass – AD Attachment (The Bluff)
- Harry Sweby – Writers Attachment (Rock Island Mystery S3)
- Jessica Tyler – Script Supervisor Attachment (Rock Island Mysteries S3)
- Kiri Wharepouri – Environmental Officer Attachment (Rock Island Mysteries S3)
- Ella Brown – Post Production Attachment (Good Cop/Bad Cop)
- Imogen Daly – Costume Attachment (Good Cop/Bad Cop)
- Kailani D’Amour – Camera Attachment (Good Cop/Bad Cop)
- Narelle Lewis – Accounts Attachment (Good Cop/Bad Cop)
- Charles Rawlings – Locations Attachment (Dangerous Animals)
- Millie Rowley – Script Supervisor Attachment (Dangerous Animals)
- Sophie Gorman – MUA Attachment (Spit)
- Jonty Toombs – Social Media Content Creator Attachment (Spit)
- Catalina Peloquin – Locations Attachment (Black Snow Season 2)
- Jakob Hartup – Camera/Video Split Attachment (Black Snow Season 2)
- Lily Boisvert – AD Attachment (Black Snow Season 2)
- Jackson Clark – Art Department Attachment (Aussie Shore)
- Dane Hallam – Technical Support Attachment (Aussie Shore)
- Daniela Moreno – Editor Attachment with Gabba Post for unannounced project
- Sophie Gull – VFX Attachment with Gabba Post for unannounced project
- Madeline Ryan-Kerr – Production Assistant (Music) Attachment with Ludo Studio for unannounced project
- Janelle Camilleri – Art Department Attachment (Eden)
- Kyira Gardiner – HMU Attachment (Eden)
- Shannon Wise – Script Supervisor Attachment (Eden)
- Davis Scheerle – Production Accounts Attachment (Eden)
- Olivia De Wet – Costume Attachment (Eden)
- Hillary Chua – Camera Assistant Attachment (Eden)
Q&A with Screen Queensland Attachments: Behind-The-Scenes On Young Rock (Season 2)
